Up until now, Balenciaga’s only fragrance face has been Charlotte Gainsbourg. What’s it like to be in that kind of company?
I wish I could choose a better word, but I think she’s stunning. I sat next to her at the show [last season]—which was the first experience I had at Balenciaga—and I was so ridiculously intimidated by her! I didn’t even say hi. I was just kind of muted by her. It’s an odd relationship that us actors are allowed to have with fashion. For me it started at an extraordinarily young age. I met Nicolas [Ghesquière] when I was 12 [on] this little project that felt very similar to a photo shoot. A rack of clothes comes in and you can just pick out what’s from that company. [Balenciaga] was the first fashion brand I recognized.Were you drawn to the clothes then?
I’ve never done anything tactfully. I just wanted to be around Nicolas. It’s like movies. You find kindred spirits. You say, “We need to make something together.” My creative vision is not clothes but…I want to be around that.
Nicolas has said that your “rebellious femininity” is what made you a good fit for Florabotanica. That characteristic seems to have followed you around a lot recently, especially in your work. Do you think it’s a pretty true character assessment?
Especially recently right now—maybe this is my age—you either have the boldness of heart or lack of fear that might differ from other people or you don’t. A true rebel, someone who is genuinely, authentically rebellious, has no idea that they’re doing it. It’s just natural. If you’re aware of it than you’re a contrived, fake person. Having Snow White [and the Huntsman] and On the Road—even Balenciaga—everyone is saying, “You’re taking on these strong roles,” and everyone is asking if I’m trying to convey these strong female roles. And objectively, yes, I am. But there’s also a void there right now and people want to fill it.You’ve been wearing a lot of Balenciaga since joining the house officially. Have you had any favorite fashion moments with the line?
[Nicolas] made my Cannes dress. And I went to the Met ball with him. And we sat down together and I watched him draw this…thing. I think he would say that I had something to do with it, but that’s bullshit. I just sat there. I do love those graphic sweatshirts [from Fall 2012]. And the sheer long dresses—and the shoes! I love all of the shoes so much. I must say, I’ve seen the new [Spring] collection—and it’ so unbelievably cool. You need to know yourself pretty well to wear it, or it wears you. It makes total sense that it’s happening now, though. I don’t want this to sound arrogant, but it was made for me.
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