Robert Pattinson and director David Cronenberg were interviewed by TIME for their new film Cosmopolis recently.TIME: Cosmopolis was published in the first year of the war in Iraq, and in a wave of novels that were all described as being “post–Sept. 11” in one way or other, but now the story maps on remarkably well to Occupy Wall Street and other protest movements around the world in 2011. David, at what point did you encounter the book, and when did you know it was a movie?David Cronenberg: It was about three years ago, and the attraction wasn’t that the novel was prescient or because of its historical place. It was the characters, the dialogue, the intensity, the humor — it’s constantly funny. I wasn’t looking to make any kind of statement. Inevitably, though, if you’re making something with integrity, it will say something about the time it’s being made in. When the novel came out, people were saying, “All this demonstrating-on-Wall-Street stuff isn’t very convincing.” Now it’s obvious.Robert, DeLillo’s dialogue is hyperstylized, very formal and often steeped in theory. How did you approach it?Robert Pattinson: The first thing I connected to was the humor. Everything else seemed kind of arbitrary. I liked that it was absurd and unrelatable in a lot of ways. I thought that Eric doesn’t understand himself, so that was my angle — play the part as if you don’t understand the part. [Cronenberg laughs merrily.] Try to remain lost. I noticed that every single time I came into a scene with an idea or an angle about how to do it, it would feel wrong, and David would know it was wrong. When I was kind of somewhere else, not thinking at all — that was when it felt right.Read the rest at TIME
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